![]() The second disc included the tracks "Ripple (single edit)", "Nightmare", "Fog", "Feel (extended mix)", "Drought" and "Unsubstantiated". The original 1992 Australian release was bundled with the 1991 rarities album A Quick Smoke at Spot's: Archives 1986-1990.Ī 2-CD remastered edition was released in Australia in 2005. In his 2014 autobiography, Something Quite Peculiar, Kilbey calls it their "undisputed masterpiece". ![]() In 2011 the album, along with Untitled #23 and Starfish, was played in its entirety on the band's 30th Anniversary "Future, Past, Perfect" tour. Koppes would eventually return to guest with the band on their 1996 album Magician Among the Spirits and rejoined permanently in 1997.ĭespite its muted reception at the time of release, Priest=Aura is considered by both the band and fan base to be an artistic high point. Increasing personality conflicts, especially with Willson-Piper, who had been moonlighting with UK band All About Eve, combined with frustration over The Church's declining chart success had made the situation intolerable. The band went on a sold-out tour of Australia (the "Jokes-Magic-Souvenirs" tour), as Kilbey prepared for the birth of his twin daughters, but after the final gig founding guitarist Peter Koppes announced his departure. Rolling Stone 's Ira Robbins called the album "rich in texture" but with an "arid atmosphere". Upon its release on 10 March 1992 (it was issued in the United States slightly before Australia), Priest=Aura had less chart success than any of its predecessors, although it peaked in the ARIA Albums Chart Top 30. Sonically, the interplay between Koppes and Willson-Piper dominated throughout, especially on tracks such as "Ripple," "Kings," and the epic, aptly titled "Chaos", whose lyrics were a reflection of Kilbey's unsettled lifestyle at the time. Emphasising free association and undirected coincidence between music and motif, Kilbey declined to define their meanings. ![]() With song concepts derived from cryptic, one-word working titles (an idea originally proposed by Willson-Piper), the lyrics leaned towards the abstract and esoteric. At nearly 65 minutes, it was their longest release so far. Titled Priest=Aura, from Kilbey's misreading of a Spanish fan's English vocabulary notes ('priest' = 'cura'), the album contained fourteen tracks, several over six minutes long. Peter koppes has said "When we made Priest = Aura we were completely opiated – we were getting opium from fields in Tasmania, where it was being grown by US pharmaceutical companies.” ![]() The use of opium and, for Kilbey, heroin, saw the material take on a more expansive and surreal quality, while Daugherty's occasionally jazz-like approach on drums brought a fresh change. Bringing in British producer Gavin MacKillop ( Barenaked Ladies, Toad the Wet Sprocket, Straitjacket Fits) to supervise the sessions, the band began to improvise the framework for the next set of songs. With lowered commercial expectations and less pressure from Arista Records, the atmosphere was more relaxed than the fraught L.A. Background Īfter touring their previous album, Gold Afternoon Fix (1990), with new drummer Jay Dee Daugherty ( Patti Smith Group), The Church returned to Sydney's Studios 301 to commence work on new material. It peaked at No. 25 on the ARIA Albums Chart. Priest=Aura (styled as priest=aura) is the eighth album by the Australian alternative rock band The Church, released in March 1992. Alternative rock, neo-psychedelia, psychedelic rock, dream popĪ Quick Smoke at Spot's: Archives 1986-1990
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